Media Institute opposes Performance Rights Act
Posted on 04. Feb, 2010 in News
The Media Institute, a non-profit foundation dedicated to researching the effects of communication policy issues, opposes the Performance Rights Act. The institute’s latest report titled “Performance Fees on Radio Stations: A Debacle Waiting To Happen,” details the effects of the proposed law and how it would specifically damage minority-owned and local broadcasters. FMQB reports:
Black and Hispanic stations would bear the brunt of compulsory performance fees for sound recordings, and the loss of such stations would be particularly acute for Black and Hispanic communities where local radio stations are “a primary venue for the expression of minority and ethnic viewpoints,” the paper states.
The report concludes that the Performance Rights Act…
“would most likely reduce diversity, and thus run contrary to Congress’s long-standing goal of enhancing media diversity. The economic and diversity impacts would be especially harsh on minority-owned radio stations, the outlets least able to tolerate additional burdens. Record companies should not try to kill the ‘golden goose’ of radio broadcasting in an effort to boost their bottom lines. Free music for free airplay has stood the test of time. It’s an arrangement that is not broken, and does not need to be fixed.”
Radio is more important than ever to songwriters
Posted on 26. Oct, 2009 in News
It’s a singles business. That’s what songwriters are saying more these days as record executives are more interested selling singles than full albums – and it’s radio that is providing that critical publicity to make a chart-topper. Fewer consumers are purchasing full albums and instead turn to the hits and download them online from retailers like iTunes and Amazon.
At the CMJ Music Marathon in Manhattan last week, a panel of hit songwriters concurred, “the best way to land a hit is a tried-and-true one: Get on the radio.”
“The business is so singles-driven now,” Ossoff says, adding that the new trend is for songwriters to submit only a verse and a chorus to execs, who will tell them to finish songs that have hit potential.
“Radio’s become more important because of what has happened,” said David Katz, half of the production-songwriting team S*A*M and Sluggo, responsible for recent hits from Boys Like Girls, The Academy Is . . . , and Metro Station. “The hit song’s become a more important medium because no one buys albums any more.”
Source: Newsday
Fred Baker getting out of the business?
Posted on 25. Oct, 2009 in News
The Performance Rights Act (PRA) threatens to force many local radio broadcasters off the air if it passes through Congress. The costs will just be too high, and one broadcaster has already predicted closing his doors.
Fred Baker, Jr., president of KISR radio in Arkansas, says, “if it does go through, I will probably get out of the business. There are too many people trying to hack at it as it is. I have some sympathy for the performers, but let’s look at the big labels. What salaries are they getting at the top? What kind of cars are they driving? It is one of the most stupid, self-serving things I have heard of. It’s beyond the pale.”
Bill Pharis, president of Fort Smith Radio Group in Arkansas, has seen cutbacks already:
“We’ve gone over to talk programming on three of our stations,” said Pharis. “… One of the reasons we did that is because of the fees for music. We pay a reduced rate for music on those talk stations. That’s another reason across the country news and information is now the No. 1 format. People are trying to avoid those fees where they can. They’re not looking to add any more. It won’t help (artists). It’ll hurt them.”
Source: Southwest Times Record
Senate Letter Opposes Performance Rights Act
Posted on 21. Oct, 2009 in News
Senators Blance Lincoln (D-AR) and John Barrasso (R-WY) sent a letter today to Majority Leader Harry Reid (D-NV) andMinority Leader Mitch McConnell (R-KY) opposing the Performance Rights Act. The PRA passed through the Senate Judiciary Committee last week.
“By many estimations, passage of this legislation would result in potentially billions of dollars flowing from local broadcasters to the recording industry and would have a devastating impact on the local radio broadcasting system as we know it,” Sens. Lincoln and Barrasso wrote.
The Senators said that imposing a fee on local broadcasters would “fundamentally change free radio,” and that many music stations would be forced to flip to talk formats rather than paying fees to air music. “At the end of the day, this will result in less music being played on the radio,” they wrote.
Lincoln and Barrasso concluded by saying, ”This legislation clearly evokes strong opposition that transcends party affiliation. As leaders of our two parties, we ask that you oppose any effort to move this bill, either as a stand alone measure or as part of a broader legislative package.”
Source: FMQB
Newberry: “They’re running out of money”
Posted on 10. Oct, 2009 in News
Record companies are fighting for a performance tax on radio broadcasters because they’re “running out of money,” says National Association of Broadcasters (NAB) Chairman Steve Newberry in USA Today. ”When you start with that basis, it’s very difficult to engage in good-faith negotiations.”
“If a large station is paying hundreds of thousands of dollars a year in fees, they’re going to play the performers who are most proven to get a return on investment,” says Newberry, CEO of Commonwealth Broadcasting Corp.
Radio stations currently pay about $550 million a year to music licensing agencies that represent songwriters and music publishers. They also paid $25.2 million last year in regulatory fees to the Federal Communications Commission.
Source: USA Today
