Radio rally strikes back over royalty bill
Posted on 05. Mar, 2010 in News
Members of the Free Radio Alliance yesterday greeted Capitol Hill staffers on their way to work and asked them to oppose the Performance Rights Act. Capitol Hill’s largest publication, The Hill, wrote about the rally this morning. The gathering was in response to the RIAA-backed MusicFirst Coalition’s press conference with Dionne Warwick that same day.
The Free Radio Alliance says radio airtime is free promotion that is key to singers’ careers. In fact, they pointed out with posters, that’s how they heard Dionne Warwick’s songs in the first place. Imposing a royalty would only enrich big record labels, including those overseas.
A performance tax on radio broadcasters in the US would have crippling consequences. College, local and minority-owned stations would be the hardest hit with many of them shuttering their doors. Broadcasters are struggling in this economy already – added fees and royalties paid to large record companies overseas will only add to that burden.
Radio is more important than ever to songwriters
Posted on 26. Oct, 2009 in News
It’s a singles business. That’s what songwriters are saying more these days as record executives are more interested selling singles than full albums – and it’s radio that is providing that critical publicity to make a chart-topper. Fewer consumers are purchasing full albums and instead turn to the hits and download them online from retailers like iTunes and Amazon.
At the CMJ Music Marathon in Manhattan last week, a panel of hit songwriters concurred, “the best way to land a hit is a tried-and-true one: Get on the radio.”
“The business is so singles-driven now,” Ossoff says, adding that the new trend is for songwriters to submit only a verse and a chorus to execs, who will tell them to finish songs that have hit potential.
“Radio’s become more important because of what has happened,” said David Katz, half of the production-songwriting team S*A*M and Sluggo, responsible for recent hits from Boys Like Girls, The Academy Is . . . , and Metro Station. “The hit song’s become a more important medium because no one buys albums any more.”
Source: Newsday
